I have continued to use the same yarns in relation to my colour palette, whilst introducing a couple of new colours to add excitement as I felt I had restricting myself to a simple palette in the previous week.
Over the Easter holidays, I began researching further contextually to broaden my project. Mark Fast in particular is one knitwear designer which strongly inspired my designing.
Mark Fast SS/09 Knitwear
Collection
Collection
Mark Fast SS/09 Knitwear
Collection
Collection
Mark Fast produces
very cob web inspired collections, mainly using one colour within his
collections, he is able to produce very skilled finished structures.
Working with strong influences from Mark Fast I began to develop my understanding of using the knit machines. After having such a long Easter break it was hard to remember all the technical information. I felt like I had reached a dead end within my project and so I began to further my drawings and mark makings from the research I had found through the holidays, in particular at the Whitworth Gallery. By reflecting over my research, I spend the rest of the third week completing my technical file samples where I was surprisingly intrigued by how I could manipulate my samples using the hooking up technique.
Working with strong influences from Mark Fast I began to develop my understanding of using the knit machines. After having such a long Easter break it was hard to remember all the technical information. I felt like I had reached a dead end within my project and so I began to further my drawings and mark makings from the research I had found through the holidays, in particular at the Whitworth Gallery. By reflecting over my research, I spend the rest of the third week completing my technical file samples where I was surprisingly intrigued by how I could manipulate my samples using the hooking up technique.
In the fourth
week, I started to reflect on the samples I had made so far, as I wanted my
edges for my garment to have structure and movement, I began focusing on using
the hooking up technique, incorporating lace holes and also the laddering
technique. I personally find lace holes and hooking up to be a juxtaposition
when knitted together. It is really interesting how two completely different
techniques can effectively work together when using the correct yarns. Within
my experimental samples, I have used a white acrylic yarn with a selection of
dark and light sheer yarns, the difference in yarn qualities correspond really
well with the techniques and I feel that if I continue to experiment with these
yarns I could end up creating some interesting passimentory samples.
Ladder experimenting with acrylics
and merchandised cotton yarns
and merchandised cotton yarns
Experimenting with hooking up yarns- creating
textural movement
textural movement
Overall, over the past two weeks I feel that my line of
enquiry has developed and I am interestingly sampling to produce edges within a
fashion context. I personally feel like within the next two weeks, I need to
focus on my context more as I feel that now I understand the techniques I am intending
to use, the nature of the edging will start to become apparent. At first I had
complications with hooking up as a couple of the yarns I was using did not
agree with the machine due to yarn qualities and machine tension settings,
resulting in the sample falling off the machine half way through however, I
feel that I have become more confident in this area.
The next two weeks of this project are going to be busy
however, I am looking forward to begin creating final samples using my chosen
knit techniques. I am excited to no longer sample within a range of techniques
and instead focus on the context, using chosen yarns from samples that
previously worked well. I would like to introduce wire and elastic within my
passimentory samples, as I feel that using these materials will sculpture and
create 3D textural movements in relation to my drawings and research.
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